What's On

The Woman In Black
 

Presented by PW Productions, Woodward Productions, and Neil Gooding Productions

The Terrifying Original. Live on stage. 

After three decades in the West End, The Woman in Black is coming to Australia. Starring incredible duo John Waters(Doctor Doctor, Offspring, Rake) and Daniel MacPherson (Land of Bad, Foundation, Neighbours), don’t miss this thrilling theatrical exploration of terror. 

Susan Hill's acclaimed ghost story comes dramatically alive in Stephen Mallatratt's ingenious stage adaptation - "The most brilliantly effective spine-chiller you will ever encounter" - Daily Telegraph. Robin Herford's gripping production is a brilliantly successful study in atmosphere, illusion and controlled horror. “One of British theatre's biggest - and scariest - hits” - The Guardian

Britain’s second longest running play after The Mousetrap, The Woman in Black tells the story of a lawyer obsessed with a curse that he believes has been cast over him and his family by the spectre of a Woman in Black. He engages a sceptical young actor to help him tell his terrifying story and exorcise the fear that grips his soul. It all begins innocently enough, but then, as they reach further into his darkest memories, they find themselves caught up in a world of eerie marshes and moaning winds. 

Don’t miss The Woman in Black, playing for a strictly limited season this May & June at His Majesty’s Theatre, Perth.  

 Performance Times      Tues-Thurs 7pm, Fri-Sat 7:30pm, Wed or Thurs 1pm, Sat 2pm, Sun 1 & 6pm

Premium

  • $129.00 - $149.00 Admit

A Reserve

  • $99.00 - $119.00 Admit

B Reserve

  • $69.00 - $89.00 Admit

C Reserve

  • $59.00 - $69.00 Admit

Groups (8+)

  • $109.00 Premium Groups - Tuesday, Wednesday, Thursday and Sunday Evening performances only.
  • $79.00 - $95.00 A Reserve Groups - Excludes Saturday Night performance. 
  • $60.00 Concession Groups - Wednesday Matinee only (Full time students, pensioners, Seniors Card holders, Juniors - 16 years and under).
  • $49.00 School Groups (1 complimentary ticket per 20 tickets purchased) - Excludes Friday, Saturday and Sunday Matinee performances.
    For group bookings phone (08) 6212 9291 or email This email address is being protected from spambots. You need JavaScript enabled to view it.This email address is being protected from spambots. You need JavaScript enabled to view it.This email address is being protected from spambots. You need JavaScript enabled to view it.

 

Event details

Venue: His Majesty's Theatre
Bookings: https://www.artsculturetrust.wa.gov.au/venues/his-majestys-theatre/whats-on/the-woman-in-black/
Start Date: Saturday 01 June 2024

Running times (subject to change) 2 hours 5 minutes including interval

Age recommendation 12+

Note Contains haze

 

Find more events in Perth»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read reviews

  • The Rock Orchestra by Candlelight
    The Rock Orchestra by Candlelight
    Even the instruments are custom-cool, bare down to the bones like the skeletal relics of orchestras of the underworld. 
  • The Book of Mormon
    The Book of Mormon
     It’s been almost 15 years since The Book of Mormon premiered on Broadway and even longer since Joseph Smith ‘discovered’ the golden plates that provided the inspiration for the show. 
  • A Mirror | Belvoir
    A Mirror | Belvoir
    Steeped in meta-theatricality, A Mirror prompts us to reflect on the status of storytelling, of its place in creating a culture, its manipulation into myth, its power to prick and to prod.
  • My Brilliant Career | Melbourne Theatre Company
    My Brilliant Career | Melbourne Theatre Company
     Step aside The Boy from Oz, there’s a new contender for the title of ‘The Great Australian Musical’.
  • Mary said what she said | 2026 Adelaide Festival
    Mary said what she said | 2026 Adelaide Festival
    Going from that show to Mary said what she said was like going from a Mozart piano concerto to one of the more repetitive pieces by Philip Glass.