What's On

Time After Time
 

ARE you ready for a journey through time from the eve of World War I to the free-loving ‘70s and the crazy world of today?

Time After Time is the latest play from author Fiona Blakeley, who is co-directing the show with Fiona Wildsmith for FiFi Productions at the Byford Secondary College Performing Arts Centre.

The 60-minute production follows the story of Olive and Jonathon, two souls who meet again and again and see all the other can be – but their great love always seems to be followed by loss.

Time After Time looks at what happens if we get a second chance, or even a third or fourth one,” Blakeley said.

“What if history does repeat itself and, if it does, will we face it head on or run from it?

“I’m fascinated by the mysteries of life and exploring the concepts of reincarnation, the multiverse theory and many Buddhist philosophies.

“Almost everyone is familiar with déjà vu or people saying ‘you’re an old soul’ or ‘you’ve been here before’.

“There are often people, places and things we are inexplicably drawn to and I wanted to explore the idea of us living through history and facing the same problems and choices again and again.”

A seasoned performer with more 25 years in the industry, Blakeley has appeared in numerous television commercials, short films and feature films and has performed at KADS, Melville, Harbour and Roleystone Theatres, Graduate Dramatic Society and the Short + Sweet 10-minute play festival.

She has also written shows for Short + Sweet and Fringe World and is currently editing her historical fiction novel on Isobel Gowdie, renowned queen of Scottish witches.

Last year, Blakeley wrote and performed in The Oak Tree for the Shire of Serpentine-Jarrahdale, reprising it in January for the National Trust at Peninsula Farm.

With Time After Time, she is again telling the story through a mix of live performance and film.

“Our audience will get to experience a dynamic, mixed media theatre experience,” Blakeley said.

“The good thing about doing it all yourself is that you learn so much, although I tend to get less sleep.

“The combination of film and performance is time-consuming and multi-faceted behind the scenes but very rewarding to be involved in.”

Time After Time plays at 7.30pm April 5, 6, 12 and 13 with 2pm matinees April 7 and 14. Tickets are $29.50, $25 concession – book at trybooking.com/CPGYG.

The Byford Secondary College Performing Arts Centre is at 57 Abernethy Road, Byford.

 

Event details

Venue: Byford Secondary College Performing Arts Centre, 57 Abernethy Road, Byford
Bookings: http://trybooking.com/CPGYG
Start Date: Saturday 06 April 2024

7.30pm April 5, 6, 12 and 13 with 2pm matinees April 7 and 14. Tickets are $29.50, $25 concession.

 

Find more events in Perth»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read reviews

  • The Rock Orchestra by Candlelight
    The Rock Orchestra by Candlelight
    Even the instruments are custom-cool, bare down to the bones like the skeletal relics of orchestras of the underworld. 
  • The Book of Mormon
    The Book of Mormon
     It’s been almost 15 years since The Book of Mormon premiered on Broadway and even longer since Joseph Smith ‘discovered’ the golden plates that provided the inspiration for the show. 
  • A Mirror | Belvoir
    A Mirror | Belvoir
    Steeped in meta-theatricality, A Mirror prompts us to reflect on the status of storytelling, of its place in creating a culture, its manipulation into myth, its power to prick and to prod.
  • My Brilliant Career | Melbourne Theatre Company
    My Brilliant Career | Melbourne Theatre Company
     Step aside The Boy from Oz, there’s a new contender for the title of ‘The Great Australian Musical’.
  • Mary said what she said | 2026 Adelaide Festival
    Mary said what she said | 2026 Adelaide Festival
    Going from that show to Mary said what she said was like going from a Mozart piano concerto to one of the more repetitive pieces by Philip Glass.