What's On

Liveworks Festival 2025
 

Performance Space’s biennial festival of live art, 2025 LIVEWORKS FESTIVAL has announced a jam-packed, five-day celebration of new, experimental and genre-defying art and performance from across Australia and the Asia-Pacific region, at Carriageworks from 22 to 26 October 2025. 

Featuring a massive line-up of never-before-seen works, including seven Australian premieres, and artists from Australia, Aotearoa, Taiwan, Korea, Hong Kong and Japan, the 2025 Festival is a bold melange of dance, sound art, theatre, installation and queer stories.  

 

Event details

Venue: Carriageworks - 245 Wilson St, Eveleigh NSW 2015
Bookings: https://carriageworks.com.au/events/liveworks-festival/
Start Date: Wednesday 22 October 2025

 

Find more events in Sydney»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read reviews

  • The Rock Orchestra by Candlelight
    The Rock Orchestra by Candlelight
    Even the instruments are custom-cool, bare down to the bones like the skeletal relics of orchestras of the underworld. 
  • The Book of Mormon
    The Book of Mormon
     It’s been almost 15 years since The Book of Mormon premiered on Broadway and even longer since Joseph Smith ‘discovered’ the golden plates that provided the inspiration for the show. 
  • A Mirror | Belvoir
    A Mirror | Belvoir
    Steeped in meta-theatricality, A Mirror prompts us to reflect on the status of storytelling, of its place in creating a culture, its manipulation into myth, its power to prick and to prod.
  • My Brilliant Career | Melbourne Theatre Company
    My Brilliant Career | Melbourne Theatre Company
     Step aside The Boy from Oz, there’s a new contender for the title of ‘The Great Australian Musical’.
  • Mary said what she said | 2026 Adelaide Festival
    Mary said what she said | 2026 Adelaide Festival
    Going from that show to Mary said what she said was like going from a Mozart piano concerto to one of the more repetitive pieces by Philip Glass.