Adelaide Reviews
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- Nicholas Routley
A modern re-working of Chekhov’s play of the same name, perhaps comparable to Bernstein’s re-working of Romeo and Juliet in West Side Story.
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- Nicholas Routley
The whole show was one in which technical wizardry was wholly at the service of delighting, provoking, or astonishing the audience.
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- Peter Bleby
A brilliant performance from start to finish.
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- Peter Bleby
Inventive yet familiar, complex yet approachable, uplifting yet unsentimental, and altogether peppered with charm, challenge, poignancy and plenty of unbridled humour
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- Peter Bleby
With humour, empathy and depth, this play presents issues of culture clash, racism and integration of differing cultures, values, and traditions, each with their own long-standing importance and relevance.
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- Peter Bleby
Sister Act is purely and wholly full of nun fun. It is big, it is slick, it is fast, it is noisy and it is fabulous.
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- Peter Bleby
Any play by Samuel Beckett is likely to provoke fruitful thought, discussion and controversy amongst audiences and critics alike.
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- Peter Bleby
The play Is a fictional, but insightful demonstration of some of the vicissitudes and machinations that go on behind the façade of party politicking and the actual development of legislation that governs our daily lives.
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Now playing Adelaide
There is no single villain, only the accumulation of ordinary disappointments that eventually becomes unbearable.
Based on the treatment here, calling the resulting show Cohen Noir seems somewhat inaccurate.