Adelaide Reviews

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Bianca Barbaro

13 October 2007

Six Dance Lessons in Six Weeks uses dance lessons as a metaphor for the life lessons the characters learn from one another.

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Peter Bleby

26 September 2007

This production sees the salad of storybook characters charmingly and whimsically pursuing their various dreams in the woods

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Bianca Barbaro

17 September 2007

As much about the dancing as singing, Candy Man’s pièce de résistance has to be the choreography, vivaciously performed by Wayne Scott Kermond

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Peter Bleby

11 September 2007

This is a thoughtful, well-wrought play that is bound to challenge, dabbling as it does in minefields which inevitably stir passions, suspicions, anger, fear, guilt, and most of all, doubt.

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Peter Bleby

05 August 2007

This experimental and high energy excursion into early 21st century “popera” makes good theatre, but I can’t see it enjoying the longevity of its generic predecessors.

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Bianca Barbaro

25 July 2007

Varekai opens with an explosion of colourful creatures preening and playing in a mythical surround. It’s a world to which we are convincingly transported for the next couple of hours.

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Peter Bleby

14 July 2007

Three plays, three authors and three directors: a worthwhile attempt to encourage young directors by the State Theatre Company, and a worthy celebration of the company’s 35th birthday

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Ursula Beaumont

09 July 2007

The story traces a day in the life of Cat in her backyard and shows the trials and excitement living with the other creatures there; the butterflies, a caterpillar, frog, dog, chicken, mouse, birds and fish.

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