No band. No spectacle. Two performers, a small collection of instruments, and a room prepared to listen.
Cirque Alice is a night of astonishment and delight – a celebration of bodies doing the impossible.
Stages of Empathy is not just a show; it is a model for what disability-led theatre can achieve when lived experience shapes every layer of process and presentation.
Croft and Spear revealed songwriting with intention, meaning, and an ethereal undercurrent.
The plot is thin, and the characters feel so underwritten that even the most dedicated actor would struggle to make them fully dimensional.
For one night only, Canberra Theatre Centre brought the beloved queer history podcast Queers Past onto the stage as part of this year’s SpringOUT Festival.
Elizabeth Cameron Dalman enters in sweeping red chiffon to open the space. It immediately feels ceremonial, generous, and charged with the weight of six decades in dance.