Melbourne Reviews
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- Heather Bloom
There’s an endless fascination for the underground nightlife of prohibition-era America or turn-of-the-century Europe.
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- Heather Bloom
Following a sold-out season in London and Sydney, Duck Pond incorporates the best in acrobatics with a cheeky, slapstick style all of its own.
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- Heather Bloom
As I left the theatre, I heard another audience member describe the performance we’d just seen as “joyful”. Honestly, no other word encapsulates this production quite so well.
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- Heather Bloom
Like many beloved animations of the 1990s, these cherished childhood movies make an easy leap to the musical stage.
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- Jason Whyte
A Christmas Carol retains the essence of a ghost story, yet the supernatural elements are supported by some nifty technological innovations.
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- Heather Bloom
The counter-culture revolutionary musical from 1967, Hair, has returned to Melbourne under the stewardship of the Australian Shakespeare Company.
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- Heather Bloom
Opportunity is a funny thing; the word brims with promise, but just like talent, intelligence or privilege, it’s what you make of it that defines whether it will have a positive or negative impact on the world.
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Following a sold-out season in London and Sydney, Duck Pond incorporates the best in acrobatics with a cheeky, slapstick style all of its own.
There’s an endless fascination for the underground nightlife of prohibition-era America or turn-of-the-century Europe.
Following a sold-out season in London and Sydney, Duck Pond incorporates the best in acrobatics with a cheeky, slapstick style all of its own.