It’s awkward, funny, occasionally poignant, honest and full of peoples’ ‘porky pies’, which are gradually revealed, at all the wrong times, over the course of the evening.
Spencer McLaren is a committed actor, fully committed. So is his character, Sam, who we see struggling to breakthrough the cut-throat New York entertainment industry.
The score is vibrant, powerful, but so distinctive in style and arrangement that, after a while, one gets the feeling one’s heard a song or musical phrase before.
Like many famous musicals, 42nd Street is light on plot but heavy on the entertainment. The Production Company’s current rendition of it is a fun and fantastic hit.
Seasons of Keene – Below the Line features two short plays written by Daniel Keene. Unfortunately this production is an example of when good plays go bad.
Californian comedian Arj Barker is practically an honorary Australian – a Melbourne Comedy Festival regular for the last decade, it seems he can't get enough of the place
It’s been almost 15 years since The Book of Mormon premiered on Broadway and even longer since Joseph Smith ‘discovered’ the golden plates that provided the inspiration for the show.
However earnest and inarguably lovely it is to look at, the pedestrian sexual indulgence and relationship traumas of New York 'A' gays penned 9 years ago doesn't feel particularly urgent.
Capturing the essence of its predecessor, Heathers The Musical is an absurdly comic production that doesn’t just walk the line of polite society but plans to blow it all up with reckless abandon.