Is it possible for a classical countertenor to transcend into the world of pop, or even become the world’s next rockstar?
Horrible Harriet revels in her horribleness, as she struts her stuff at the Art Centre Melbourne, courtesy of CDP Theatre Productions.
The best night of theatre ever, this. It’s a terrific experience to see a Shakespeare play in an as near to an authentic environment as possible without going all the way to modern London, it's like a time travelling experience.
You’re sitting in a room at the North Melbourne Town Hall, a bare room room with two musicians harmonising sweet, whimsical tunes. Enter Wil Greenaway.
Too Ready Mirror is a sound attempt to look at why women do the things we do, how we sort out who we are while playing to our small strengths, especially in relation to men and the whole damn world.

Pike St comprises a lot of small tender stories set in one big story, all happening on stage at once through a kind of physical theatrical mediumship, almost magical except it isn’t: it’s the skill of Nilaja Sun, the darling of one woman performance.

Patricia Cornelius and director Susie Dee, collaborators in theatre for over 30 years, team up for another production – Big Heart.