
There is something special about Uncle Jack. Something about his voice, his stature, his laugh, his story - something powerful but humbling.

Stifters Dinge is a piece that could be likened to some sort of compulsory contemplation or enforced meditation; it is very slow-moving indeed, making audiences stop, sit and be mindful, or, perhaps, bored.

come, been and gone wooed with its boldness, its nod to rebellion and its fabulously on-the-money combination of elements.

The heart of the show presents the seemingly counterintuitive idea that we can feel more at ease in revealing our true selves to people we don’t know or may never see again, rather than to our loved ones.

Lost in the reverie of befuddled amusement, 24 hours later it’s still difficult to properly articulate the profound joys that await any intrepid carnival-goers.

