
This is the kind of work I want to see more of on our stages: work that is challenging, that is confronting, that is well written, and is Australian.

The best moments in The Company I Keep are the most unvarnished: brothers and sisters squabbling and chasing each other with abandon, a man’s struggle with feelings of hopelessness, the co-dependent dance of lovers.


It’s not often that boutique beer and oysters come with the price of a ticket to a dance show. But within the realm of the Next Wave Festival, whose motto is No Risk Too Great, art practice is put into unusual contexts.

