Latest Reviews
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This Giselle is ugly, creepy and downright weird and it hits you in the guts for 70 continuous minutes. And you won’t be forgetting it soon afterwards either.
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The charm of Eight Hands, beyond the obvious talent of the participants, was as a striking demonstration of the versatility of the piano, with radically different attitudes and processes creating diverse musical experiences.
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Writer/performer Mark Wilson throws everything into the pot for a whirlwind 50-minute montage that demonstrates why, even after 400 years, Marlowe's mystique still manages To Keep Men In Awe.
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At its best The Sydney Festival should amaze Australian audiences with work they wouldn’t see otherwise. This play with a script full of twists and a stage production that is extremely innovative and flawlessly executed is such a work.
