
In an old apartment lounge room, cluttered with memories, four generations and their stories are interwoven and entangled, creating a picture of a family in freefall.

It was an impressively polished performance from a world-class ensemble, and it attracted a large and very appreciative audience.

Split into three acts the story follows awkward and wince-worthy encounters with a lone cop (Bryce Youngman) who is “new to the area.”


A hunger to control, consume, and devastate – exploitation in every imaginable form. This is the grotesque world of our own creation, a toxic landscape of molten lead and the blackest lava.

More than 150 years after it first debuted (after very nearly being banned) in Venice, Rigoletto is still a surprising work.

The last concert from the Seven Words series was the glorious crown of the set. A masterpiece by Scottish composer James MacMillan was the sole focus of the performance.