
It is 1946 and Colour Sergeant Atkins has been left in charge of the British colony of Batundi in Africa, a thankless assignment at a remote outpost in the dying days of the British Empire.


Eva Yerbabuena’s flamenco is the real thing: pure, fierce dance with only music as adornment.


At the heart of the piece is a comment about consumer society wherein we care more for belongings - money, a stove, a packet of chips - than for our neighbours, school friends and even family.

It’s pretty hard not to like Chicago the Musical. The music is incredibly memorable and the characters so deliciously bad.

More than foreseeing the future of ballet, Concord presents three eras within ballet’s development.