
Unclassifiable, Wunderschön straddles cabaret, theatre, and classical music in its re-imagining of 21 Lieder by nineteenth-century composers Robert Schumann and Franz Schubert.

While there are plenty of reasons to flinch, what this work is really looking for is an audience willing to contemplate the spaces between right and wrong.

Barely Contained makes you laugh, think, gasp, grab on to the edge of your seat, let out a sigh of relief, and then laugh again.

The primary reason that it is so difficult to follow Poet #7’s characters and plot, is that the audience’s ears are forced to compete with their eyes.

Melbourne identity Rachel Berger is known more for her standup comedy than her theatrical work, but she’s changing that reputation with her solo show Hold the Pickle.