
After the End is a brilliantly executed psychological thriller of post-apocalyptic proportions.

This classical masterpiece presents several layers of meaning embedded in the imagery of the dramaturgy and musical dramaturgy.




At the risk of sounding like Forrest Gump, the Adelaide Fringe’s A Company of Strangers is like a box of chocolates - you never know what you are gonna get next.

Andrea McCannon and Matthew Kenny convincingly embody Margrethe and Niels Bohr, portraying an intimate dynamic around which the tension of the play orbits.