

The name is a dead giveaway: The Attack of the Attacking Attackers is a stupid, stupid play.

Apart from the fact that they were actually in a straight line, Circle of Rhythm didn’t disappoint.

There is a surety and deftness to the way in which Cribb marries beautiful lyrical prose with sparse colloquial language, and in The Haunting there are moments of sheer brilliance.

Red Stitch's Marie Antoinette: The Colour of Flesh, is an exposition of politics, beauty and love set against the tumultuous backdrop of the French Revolution.