Sydney Reviews
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- Penny Spirou
Whether or not a horse aficionado, Cavalia is a grand display of the unique bond between human and horse that anyone can appreciate.
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- Jodi McAlister
As far as debuts go, this is a very, very good one. This is an intriguing and absorbing show, engaging with questions of love and domesticity in a sophisticated and thoughtful way.
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- lloyd bradford (brad) syke
For the April edition of this monthly extravaganza (it's only bordering on overstatement), Keogh lined up two very different bands. Eclectic is the name of this game.
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- Augusta Supple
Righteousness is like a concrete bunker, which is both a safe place to live and also provides evidence that the outside world may not be such a safe place to live.
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- Ashley Walker
Time to enter the world of Alex De Large (Martin McCreadie) and his Droogs for lashings of the ole ultra-violence, right right?
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- Ashley Walker
Lally calls Stories I Want to Tell You in Person “play”, but it is more of a spoken word performance where Lally relates a series of anecdotes about her life and writing process.
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- lloyd bradford (brad) syke
Bruce was and is all too easily dismissed as a foul-mouthed junkie. Both of these things may be true, but he was so much more than that.
Most read Sydney reviews
Dancing at Lughnasa | New Theatre
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
Stage Kiss | New Theatre
There’s a palpable playfulness to these performances, disciplined, drilled and delightful. There’s fire, bite and fun and lots of kissing.
The First Murder | Pinchgut Opera
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
My Brilliant Career | Sydney Theatre Company
Based on an Australian literature classic, My Brilliant Career is destined to become an Australian theatrical classic.
Sistren | Griffin Theatre Company
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.
Blind faith and rational belief are always sparring partners in dramatic conflict and so it is here with the power play tinged with superstition and salaciousness.
On the set of a big-budget Hollywood eco-thriller, the clock is ticking for an on time and under budget wrap.