It's a brilliant premise. Interpret an 'invisible' woman's everyday chores in a series of dances, loosely choreographed to tunes she might know and love.
Few things could be more bizarre than Uta Uber Kool Ja's hotel room soirees, staged high above the cobblestone streets in a room with a view, at the Old Sydney Holiday Inn.
If your backside can endure an uncushioned bench for a couple of hours, a play must be pretty damn good. Andrew Bovell's When The Rain Stops Falling is better than good.
Savage In Limbo isn't as well-known or as oft-performed as the Oscar-winner's other plays. Probably because it cuts a little deeper and is more emotionally challenging; the last applying for both actors and audiences.
Prime: Orderly is the latest work by dancer-choreographer, Dean Walsh, based on two years' research into marine environments, a luxury afforded by his tenure as Dance Fellow with the Australia Council.
I well remember Zoe Carides from GP. It was a decent drama, insofar as it went, but a very modest examination of the abilities of the actor. Tarantula estimates them much better.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.