Sydney Reviews
- Details
- Jack Teiwes
- Details
- Nicholas Routley
Disarmingly relaxed yet consummately professional, Teddy Tahu Rhodes sat on a bar-stool and rotated it from time to time to look at the players behind him – and at the end of the performance he was perfectly happy to cart it offstage himself.
- Details
- jane barton
The sum of the parts is uplifting, astonishing in its breadth and re-affirms the place of theatre in a fast paced consumer dominated world.
- Details
- Augusta Supple
Nominated in 2010 for three Tony Awards, and nominated for a Pulitzer Prize, Sarah Ruhl’s provocatively titled In the Next Room or the Vibrator Play is sure to be a runaway success for the Sydney Theatre Company.
- Details
- Helen Machalias
Speaking in Tongues depicts a world of rapidly unravelling relationships, centred on two married couples who set out to betray their partners.
- Details
- Helen Machalias
Tell it Like it Isn’t is teenage angst minus the clichés and was exciting to see, both as a theatre piece that showcases the potential of the HSC individual project and the collective talent at ATYP.
- Details
- lloyd bradford (brad) syke
Most read Sydney reviews
Dancing at Lughnasa | New Theatre
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
Stage Kiss | New Theatre
There’s a palpable playfulness to these performances, disciplined, drilled and delightful. There’s fire, bite and fun and lots of kissing.
The First Murder | Pinchgut Opera
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
My Brilliant Career | Sydney Theatre Company
Based on an Australian literature classic, My Brilliant Career is destined to become an Australian theatrical classic.
Sistren | Griffin Theatre Company
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.
Blind faith and rational belief are always sparring partners in dramatic conflict and so it is here with the power play tinged with superstition and salaciousness.
On the set of a big-budget Hollywood eco-thriller, the clock is ticking for an on time and under budget wrap.