Sydney Reviews

Details: lloyd bradford (brad) syke; 25 April 2008

The Serpent’s Teeth | Sydney Theatre Company

The writing here is razor-sharp, remarkably and memorably profound; at times, ravishingly beautiful.

Details: lloyd bradford (brad) syke; 22 April 2008

She can set the room alight, or chill its occupants to the bone, slicing the atmosphere with her lyrical scythe.

Details: lloyd bradford (brad) syke; 22 April 2008

Lucie Thorne, according to her website, is Melbourne-based, but her Nowra fans, at least, know better.

Details: lloyd bradford (brad) syke; 22 April 2008

By turns, his voice is a vehicle for profoundly lyrical readings; a blasting trumpet; a pure, bell-like, French horn; or a string, on the wing.

Details: James Waites; 21 April 2008

As always with Stoppard the themes are big – but mainly it’s a study of the various social freedoms and restrictions that go hand-in-hand with both communism and democracy/capitalism.

Details: Augusta Supple; 21 April 2008

Ruben Guthrie | Murri fulla films & B Sharp

The B Sharp season has started with a bang, not a whimper with the premiere of Brendan Cowell’s new play, Ruben Guthrie.

Details: Brett Casben; 16 April 2008

It’s always been better when the lights go out and ‘LaLaLuna’, playing at the Everest Theatre at the Seymour Centre is no exception.

Details: lloyd bradford (brad) syke; 14 April 2008

Factory Space Theatre has excelled itself with Terry Johnson’s ‘Hitchcock Blonde’, a speculative, pseudo-psychoanalytic probing of why one particular gentleman preferred blondes.

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