Although not groundbreaking theatre, The 25th Annual Putnam County Spelling Bee is an excellent production of a howlingly funny musical, and a sure thing for a bushel of B-E-L-L-Y L-A-U-G-H-S.
Abalone dreams of winning the local eisteddfod with all the associated glory, while his sister Gerture slowly slips away into her own private world where she works as a teacher.
Who could fail to be transformed by thought leader, Jeremy Boutsakis? Of course, the thoughts he'll lead you to, via the garden path, are simultaneously terrifying and hilarious.
While every effort has been made, no doubt, to fully explore characters' lives, the chain of relationships, separated by a mere six degrees, seems somewhat inconclusive and unsatisfying.
Aside from one too many references to cricket, this is a very well-observed and well-written piece, or, rather, pieces; comprising three vignettes, with the three cast handling three roles apiece.
Red Light Winter deals with the seriously dysfunctional romances of a small group of thirtysomethings, with an emphasis on sex and emotional inadequacy.
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.
Blind faith and rational belief are always sparring partners in dramatic conflict and so it is here with the power play tinged with superstition and salaciousness.