A thrilling, queasy, intermittently dull yet frequently hilarious romp through a stained fantasia of a society seemingly in the process of eating its own tail.
In the state of Victoria, Family Violence is the term used instead of Domestic Violence. The term superseded Domestic Violence in the vernacular because in police culture, its reporting of and response to, was met with a lethal indifference.
This is big-budget burlesque, with the glamour and production values cranked up to 11, with sumptuous costumes, elaborate props, and a degree of professional showmanship that is second to none.
A first play by Michelle Law, this story takes the form of a (Chinese restaurant’s) kitchen-sink dramedy, one that is poignant and often very funny, if perhaps at times a bit predictable.
Artfully directed by Imara Savage, this new production not only does the play justice, but is a platform for some truly superb acting.
As an empowered and dangerously alluring woman who doesn’t hide from power or fear, Carmen still resonates with audience today and Bell’s production is bold and beautiful.
Not for those seeking a comedic revelation on the road to their own theatrical Damascus, and certainly not for the self-seriously devout, this is a flamboyantly funny mainstream comedy.