Sydney Reviews
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- Emily Shaddick
Beirut Adrenaline is set in 1986, four years before the official end of the 15 year war in Lebanon. The war that took the lives of an estimated 250,000 people and continues to have an impact today.
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- Richard Cotter
Those Who Fall in Love like Anchors Dropped Upon the Ocean Floor is a substantial title for a play that's a trifle.
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- Richard Cotter
The passing of time has not diminished the power of Harold Pinter's script, Betrayal.
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- Jack Teiwes
While you might be forgiven for expecting otherwise, this is not however a concert version of Wicked, although as it is the common thread between the stars.
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- Richard Cotter
Style is substance, that's the credo of Quentin Crisp in Tim Fountain's Resident Alien.
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- Richard Cotter
At Last – The Etta James Story has completed two sold out seasons at the Sydney Opera House since it's world premiere back in 2013.
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- Marika Bryant
The second year of Bello Winter Music festival and you can already feel the vibe as you enter town – the spirit of the festival palpable.
Most read Sydney reviews
The Lark | Hey Dowling
Noni Hazlehurst brings Rose and The Lark to colourful and compelling life in this one-woman show.
Pride & Prejudice* (*sort of) | Neil Gooding Productions & Woodward Productions
This rollicking musical take on Jane Austen’s beloved novel is a side-splitting crowd pleaser.
Heartbreak Hotel | EBKM
Heartbreak Hotel invites its audience into an intimate portrait of the universal and isolating experience of heartbreak.
Current | Sydney Dance Company
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.
The Gospel According to Paul – The Second Coming | Soft Tread Productions
The Gospel According to Paul is meticulously crafted entertainment. It’s uplifting without pulling any punches.
The Gospel According to Paul is meticulously crafted entertainment. It’s uplifting without pulling any punches.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.