What's On

Candide
 

Award-winning director Dean Bryant’s smash hit staging of Candide will make its Sydney premiere after opening with Victorian Opera in 2024 with a stellar cast led by musical theatre luminary Eddie Perfect and Hamilton star Lyndon Watts. Bernstein’s remarkable score, including the orchestral favourite overture, soprano showpiece ‘Glitter and Be Gay’ sung by Cunegonde, played by Annie Aitkin, and touching choral ‘Make Our Garden Grow’ finale, steers a brilliant satire about humankind’s capacity for mindless optimism.

 

Event details

Venue: Joan Sutherland Theatre, Sydney Opera House
Bookings: https://opera.org.au/productions/candide-sydney/
Start Date: Thursday 06 March 2025

 

Find more events in Sydney»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read Sydney reviews

Most read reviews

  • The Rock Orchestra by Candlelight
    The Rock Orchestra by Candlelight
    Even the instruments are custom-cool, bare down to the bones like the skeletal relics of orchestras of the underworld. 
  • The Book of Mormon
    The Book of Mormon
     It’s been almost 15 years since The Book of Mormon premiered on Broadway and even longer since Joseph Smith ‘discovered’ the golden plates that provided the inspiration for the show. 
  • A Mirror | Belvoir
    A Mirror | Belvoir
    Steeped in meta-theatricality, A Mirror prompts us to reflect on the status of storytelling, of its place in creating a culture, its manipulation into myth, its power to prick and to prod.
  • My Brilliant Career | Melbourne Theatre Company
    My Brilliant Career | Melbourne Theatre Company
     Step aside The Boy from Oz, there’s a new contender for the title of ‘The Great Australian Musical’.
  • Mary said what she said | 2026 Adelaide Festival
    Mary said what she said | 2026 Adelaide Festival
    Going from that show to Mary said what she said was like going from a Mozart piano concerto to one of the more repetitive pieces by Philip Glass.