What's On

Contest
 

Muscles tense and release, bones anticipate the landing after the leap we can do this in our sleep.

We Play on.

When new player Cass joins a suburban netball team, the fragile balance of the group shifts. Secrets, unspoken grievances, and long-held frustrations rise to the surface, turning every pass, pivot, and collision into a reckoning.

Set entirely on the netball court, Contest, written by Australian playwright Emilie Collyer and produced by Space Jump Theatre Company, immerses women of every age, shape, size, and ability in a world governed by rules, expectation, and relentless pressure. Bodies move side by side, sweating, enduring, testing limits. The game becomes a powerful metaphor for resilience, courage, and endurance, both on and off the court, capturing the subtle, fierce, and unrelenting ways women persist.

Blending stylised movement, poetic dialogue, and raw physicality, Contest is a bold, immersive, and unforgettable story of connection, rivalry, and the extraordinary endurance of women. Every moment on the court resonates with intensity, intimacy, and the unflinching reality of human emotion. 

But what still aches after the whistle blows?

Written by 2026 Victorian Premier’s Literary Award winner Emilie Collyer  | Directed by Kirsty Semaan | Presented by Space Jump Theatre Company

 

 

Event details

Venue: Flight Path Theatre, Marrickville NSW
Bookings: https://events.humanitix.com/contest
Start Date: Friday 27 March 2026

 

Find more events in Sydney»

Disclaimer: Australian Stage takes no responsibility for the accuracy of the information provided in event listings. You are advised to confirm performance dates/times with the company and/or venue before purchasing tickets.

Most read Sydney reviews

Most read reviews

  • Retrograde | Melbourne Theatre Company
    Retrograde | Melbourne Theatre Company
    The script is based on a true story, although this dramatisation can feel somewhat contrived, with important assertions not interrogated, and credibility stretched as a result.
  • Izzard: The Tragedy of Hamlet
    Izzard: The Tragedy of Hamlet
    To Shakespeare’s text be true is the obvious goal here, and writer, director and actor have each scored.
  • The First Murder | Pinchgut Opera
    The First Murder | Pinchgut Opera
    In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
  • Sheltering | Bangarra
    Sheltering | Bangarra
    Even when individual works did not fully land for me dramaturgically, there is no denying the precision, intelligence and care of the artists creating them.
  • Dirty Rotten Scoundrels | Redfern Lane Productions
    Dirty Rotten Scoundrels | Redfern Lane Productions
    Unabashedly and unapologetically entertaining, Dirty Rotten Scoundrels delights in its hoax hokum, a whimsical hustle of musical comedy bustle.