Adelaide Reviews
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- Jane Howard
The Interminable Suicide of Gregory Church begins at the beginning, with Daniel Kitson’s discovery of a single letter to an Isabel, written by Gregory Church, unsigned and still in a typewriter, sitting in the loft of a house while house hunting.
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- Dr Daniela Kaleva
This is a rare opportunity for those who are interested in cinema and for those who are unfamiliar with the benshi style to experience ‘The Water Magician’.
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- Dr Daniela Kaleva
This performance was a study of the musical elements of Brakhage's film composition and his personal interest in music. The live and recorded music accompanying the films emphasised the pulsating images and their contrapuntal structure.
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- Tessa Leon
The ukulele-strumming, piano-banging showgirl of Dresden Dolls fame came via the Spiegeltent for the very final performances of her Australian tour.
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- Ben Aitken
I couldn’t work out whether Old Man River’s opening stunt was a stroke of performative folly or genius – an uncertainty which captures neatly my larger impressions of this four-piece jolly-rock outfit.
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- Joanna Bowen
There are plenty of things women don’t want to hear from a man, such as “I hate monogamy” or “sorry Hun, I switched off, what’d you say?” But Eddie Ifft is happy to tell them.
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- Jane Howard
This show is fine, the performers have talent, and the young audience in the hot Bosco Theatre tent was amused without becoming restless.
Most read Adelaide reviews
RBG: Of Many, One | State Theatre Company South Australia
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
There is no doubt that the three programs presented by the Ensemble Pygmalion were the sensation of this year’s Adelaide Festival.