Adelaide Reviews
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- Peter Bleby
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- Stephanie Johnson
Matt Byrne Media presents a refreshing and well-crafted rendition of this adults-only puppet parody. Mischievous it may be, but part of the appeal is its wayward honesty.
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- Joanna Bowen
Innocence is like a Decoder puzzle. You’re given a few letters then expected to be able to work out the rest. There are symbolic set pieces, symbolic actions, symbolic phrases – a semiotic web for the audience to clumsily wade through.
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- Jane Howard
With its World Premiere at the 2011 Adelaide Cabaret Festival, Der Gelbe Stern (The Yellow Star) is a promising but as-yet under-developed cabaret show.
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- Joanna Bowen
Her show is brilliantly strung together by the narrative of her life spent trying not to turn out like her crazy mother.
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- Stephen Davenport
Amy Housewine is an acquired taste and the cabaret Back to Crack will only please the least demanding audiences.
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- Jane Howard
In McLeish’s affable and personable cabaret show, The World Is Winning, he walks us through his rise to fame, and his life as an entertainer in what is rather less than he’d hoped for
Most read Adelaide reviews
RBG: Of Many, One | State Theatre Company South Australia
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
Now playing Adelaide
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
There is no doubt that the three programs presented by the Ensemble Pygmalion were the sensation of this year’s Adelaide Festival.