It’s clear that these performers are creating something new and exciting, a phrase that is often used as a cliché but in this case is more than appropriate.
The major problem with Fleetwood Mick is that its central premise, Fleetie and Moriarty attempting to make light of news and current affairs, is grossly underdeveloped.
With the support of a fridge door sporting the Hickey Family Ladder and a pot or two, Hickey regales her audience with tales about her efforts to beat her competition to the top of the ladder.
Played for progressively darker comic effect until the comedy is so black that it’s no longer funny, the guards are nasty pieces of work, lewd, vindictive and increasingly violent.
It’s been almost 15 years since The Book of Mormon premiered on Broadway and even longer since Joseph Smith ‘discovered’ the golden plates that provided the inspiration for the show.
However earnest and inarguably lovely it is to look at, the pedestrian sexual indulgence and relationship traumas of New York 'A' gays penned 9 years ago doesn't feel particularly urgent.
Capturing the essence of its predecessor, Heathers The Musical is an absurdly comic production that doesn’t just walk the line of polite society but plans to blow it all up with reckless abandon.