Melbourne Reviews

Details: Darryl Emmerson; 25 February 2007

The group uses electronic and recorded, as well as live music, and gives some importance to visual design and staging. This wide-ranging perspective certainly lends considerable interest to its performances, but the results are mixed.

Details: Jessica Thomson; 24 February 2007

With its somersaulting ‘acro-fairies’, a punch-up between leading ladies Hermia and Helena, and a completely manic Puck inclined to moon the audience at whim, this is one revved up, madcap production of what is arguably Shakepeare’s best-loved comedy.

Details: Jan Chandler; 24 February 2007

The Spook was inspired by the true story of a young man recruited by ASIO in the 1960s and asked to masquerade as a communist whilst spying on his local party branch. However, as Reeves assures us in her program notes, The Spook is a totally fictional and sometimes ludicrous version of the story.

Details: Anna Lozynski; 22 February 2007

We become engrossed in the web of intricacy of this Chilton 'clique' as we are exposed to each boy's personalities and learn of their contribution to the group dynamic.

Details: Carol Middleton; 21 February 2007

Under Milk Wood was first performed by Dylan Thomas and three actors in America, and the four-person format is used again in this production.

Details: Matthew Clayfield; 20 February 2007

LaBute’s cycle of plays is the very definition of the term ‘variations on a theme’. A series of slow-burn mono and duologues, each set in the front seat of a car, the cycle serves, sometimes too explicitly, as a kind of social rap sheet.