

Rather than take the play somewhere new, Andre Previn has given us a very literal adaptation.

He is a charmingly gregarious host, gracious and grateful of his supporting players and his audience. Alexander knows we came for our little slice of Seinfeld and he’s happy to oblige, revelling even in remembrance of his big TV hit.




There is an almost seamless interplay between classical theatre, physical theatre, dance and farce, with a fun breakdown of the fourth wall thrown in.