Like a Fishbone is a series of arguments about authority and righteousness, which ultimately examines a deeper philosophical dilemma - a person’s life purpose.
If you were to make a shortlist of the types of subject matter that typically lend themselves to adaptation as musical theatre, the tale of a tortured political activist imprisoned with a flamboyant gay window-dresser might not exactly spring to the top of the list.
On the one hand, they seem like the father-daughter double-act least likely to be a father-daughter double-act. On the other, ironically, it's hard to imagine any two people could be better-matched than the inimitable, incredible Dick & Christa Hughes.
The MFO stands loud and proud as a jazz force to be reckoned with. Compositionally, orchestrally, live and recorded, they manage to get down a whole new sound.
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.
Blind faith and rational belief are always sparring partners in dramatic conflict and so it is here with the power play tinged with superstition and salaciousness.