Sydney Reviews

Details: Rebecca Whitton; 12 June 2010

Director Benedict Andrews’ latest offering is a contemporary, sharp and original version of Shakespeare’s Measure for Measure that clearly references the hypocrisy of our current politicians as well as the bigotry of ideological purists.

Details: jane barton; 08 June 2010

English director Peter Brook, a theatre maestro whose career spans nearly 70 years, has created a simple, profound work about conflict.

Details: lloyd bradford (brad) syke; 07 June 2010

Oresteia. Oedipal. Electrafied. Dramatic, in excelsis. Comedic. It is a beguiling work of performance art & craft.

Details: Augusta Supple; 04 June 2010

Bug | Picture This Productions & Griffin Independent

The performances are focussed, at times surprisingly robust and tender.

Details: Nicholas Routley; 31 May 2010

Mahler’s Song of the Earth | Sydney Symphony

This particular Mahler aficionado left having been given renewed insight into this music, a diversification of understanding, and a richly sensuous experience.

Details: lloyd bradford (brad) syke; 25 May 2010

Harlos Productions has made a name and niche for itself pitching Shakespeare to the hungry highschool market.

Details: lloyd bradford (brad) syke; 24 May 2010

Curtains isn't Kander & Ebb's best work but, let's face it, even their worst is likely to be better than most.

Details: lloyd bradford (brad) syke; 23 May 2010

Magpie Blues is, more-or-less, the story of Ursula's life. A cabaret, but one with much less artifice and affectation than is customary.

Most read Sydney reviews

Dancing at Lughnasa | New Theatre
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
Stage Kiss | New Theatre
There’s a palpable playfulness to these performances, disciplined, drilled and delightful. There’s fire, bite and fun and lots of kissing.
The First Murder | Pinchgut Opera
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
My Brilliant Career | Sydney Theatre Company
Based on an Australian literature classic, My Brilliant Career is destined to become an Australian theatrical classic.
Sistren | Griffin Theatre Company
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.