It's 1892 on the mean streets of Sydney. Unwed 18-year-old mother, Amber Murray, cast aside by the child's rapist father, and out by her parents, sleeps rough in the reserve, with her beloved babe-in-arms, Horace.
The Hayloft Project’s fresh, exciting new take of The Suicide may occasionally veer towards overindulging its particular brand of humour at the expense of its narrative, but is nevertheless a relentlessly entertaining piece of theatre.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.