Sydney Reviews

Details: Augusta Supple; 05 September 2008

Simple and raw, pool (no water) reminds us of the power of the performer, of language and exposes the ugliness of competition. A very provocative piece of theatre and sometimes a little too close to the bone.

Details: Jack Teiwes; 05 September 2008

Radio is a personal meditation on national themes.

Details: lloyd bradford (brad) syke; 30 August 2008

One has the sense no-one on stage knows how it will begin, until it begins. What will fill the middle. Will it be a soft centre, or something hard and brittle? How, or when, it will end. This is the rugged beauty of it. It's all about the journey.

Details: Jack Teiwes; 30 August 2008

This ambitious production is not without its flaws.

Details: lloyd bradford (brad) syke; 26 August 2008

There are as many strings to this year's Broad bow as previously and, thus, it's hard to know where to begin, and end.

Details: lloyd bradford (brad) syke; 25 August 2008

Vivacious! | Australian Chamber Orchestra

I can't imagine hearing a cleaner, more committed or vigorous exposition, than that bestowed by Ibragimova's ACO.

Details: Jack Teiwes; 22 August 2008

It takes a certain amount of guts (and ego) to do a solo show that relies almost entirely on one’s storytelling abilities.

Details: Aleksei Wechter; 22 August 2008

The play slides from naturalism into surrealism so gently that you hardly notice

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