
Once you accept that Doninzetti’s Lucia di Lammermoor is essentially Brigadoon with an Italian accent and stop wanting or wishing it to be grand opera in the Verdi mode, then everything suddenly falls into place.



This latest offering from ATYP, explores the idea of conflict in its many forms, from school bullies, to yammering neighbours, to young men at war.

This play recounts true events of Australia’s first white theatre performance in 1789, complete with convicts in chains and floggings at dawn.
