
There are several clear issues with Sydney Theatre Company's latest production.

Faster is modern ballet in its truest form. The production is segmented into three works, completely unlike each other. They explore moments in time, people, places and how they connect to each other.

Sydney Opera House and CDP Theatre Producers present the opportunity to see Horrible Harriet in all her glory live on stage.

Taking Bottom the weaver and his fellow gormless tradies with dreams of amateur theatrical stardom, playwrights Keith Robinson and Tony Taylor imagine what they got up to between the scenes of A Midsummer Night’s Dream.

This elegantly simple comic premise is spelled out in the title. This is the play that goes wrong and anything that can surely does.

Typically, when artists are described as 'giving their all', it conjures images of a brutal, vulnerable harrowing experience. A form of sacrifice.

Set in a regional Australian pub in 1989, Jim Cartwright’s play Two is almost an anthology, containing no pronounced core narrative, but rather as a showcase for two actors to show their versatility as they double-up in a succession of several roles each.