
Set in Spain 1959, a period of Franco's fascist fiscal fiasco, Handa Opera on Sydney Harbour's latest incarnation of Carmen gives us the glitz and glamour of post War Europe and off sets it with a gypsy crew of contrabandits.

There's affectionate offensive arse kicking and farce kissing in Declan Greene's The Homosexuals, or 'Faggots', an unabashed bashing of the politicly correct pomposity that has infected our society.

Evan Placey's play is a keenly observed, cleverly constructed and penetrating piece of emotive, thought provoking theatre that pendulum swings our notions of guilt and innocence, victim and perpetrator.

Once in a while a show comes along which so utterly surpasses your expectations that you leave the theatre feeling giddily happy at having seen something so full of vigour and sheer unadulterated fun.

Adventure Time is a phenomenon. Its reach to fans young and old is undeniable, and amazing for a show that is both full of heart yet also somewhat indescribable.

A couple of years on, the story is still timely, and this encore production cements The Bleeding Tree as a bonafide classic.

Billed as “the superhero origin story of Shakespeare’s Henry V”, this is a production filled with confident zeal but sadly doomed to fail as spectacularly as the French defeat at Agincourt.