
Relatively Speaking may not be the outrageous blockbuster of other farcical period comedies, yet it is a highly entertaining and conventionally “well-made” play, by the playwright’s own admission.

Tuesday night at the Eureka Hall. I’m watching the storm pass us by (again) and hoping it will swing back around and bring us some rain. But not tonight.

A nigh on hundred year old tent from Belgium, a Spiegel Zelt, with mirror lined walls, stained glass windows and lush drapery has landed like some theatrical Tardis in Leichardt’s Italian Forum courtyard.

Oleanna is an uncomfortably honest portrayal of escalation, misunderstanding, privilege, aggression and confrontation between a young woman and her university professor.

Mack & Mabel is a bitter sweet dark romance between the megalomaniac movie maven and the popular actress who aspired to more varied work in feature films rather than the two reeler madcaps that made her fame.

Rigged out like some underworld university don, this academia nut chastises the rabble for not properly harvesting souls, albeit allowing that most humans do not have the requisite evil for an express ticket to Hell. Oh for a Hitler, he laments.

All men are mongrels, albeit ultimately loveable mutts, seems to be the message of Summer Rain, the Australian musical that has garnered something of a classic status since its origins, thirty years ago, as a commissioned piece by NIDA for its third year aspirant thespians to fuel their triple threats with.