Adelaide Reviews
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- Valerie Lillington
This is a story without an end. No, it’s two stories, one that’s sad because its protagonist takes a dubious path knowing that with it goes his integrity and the other because the odds are so against success and a life worth living for a young woman who deserves a chance.
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- Valerie Lillington
A voice sang the first line of a song “Waiting for a train” and so we knew where we were, what she was doing and, without introduction and in the most informal way, Molly Taylor told us her story.
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- Valerie Lillington
His lyrics need a good lyricist and his music a tune now and again but his enthusiasm is infectious, he’s humorous, engaging – and he knows his Darwin.
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- Valerie Lillington
I first heard Florence Foster Jenkins one morning on the radio. I was stunned. I couldn’t believe that anyone could sing so badly, have the nerve to be recorded and that a reputable radio station would play it. All was explained when the announcer reminded us that it was April Fool’s Day.
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- Valerie Lillington
It’s reality and we can’t help but laugh about it when we see it all reflected in such a comic way performed by such competent and well loved grey-heads.
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- Valerie Lillington
This show celebrated the first 45 years of the life of the Adelaide Festival Centre and the new star-studded walkway on the East-west promenade along its River Torrens side.
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- Valerie Lillington
To tell you the truth, I wanted the play to end before it did because I was so confused, so involved, so anxious and so pent up about what they call this “cat and mouse thriller” that I wasn’t sure where it was going.
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- Valerie Lillington
Adelaide is all agog around the Festival Theatre Centre on the banks of the Torrens River because the French Festival is on.
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