Adelaide Reviews
- Details
- Tessa Leon
There could be no one better than Meow Meow to capture the history of Her Majesty’s Theatre, and drag it purring right into the present.
- Details
- Stephen Davenport
Emma Knights’ production is inventive, intelligent, and beautifully presented. The show rises above the conventional with a winning fusion of satire, self-parody and potent performances from a superb ensemble.
- Details
- Peter Bleby
In this production, Director Geoff Brittain and his team of excellent actors does The Rep a real service, and gives the theatre-goers of Adelaide a true gift.
- Details
- Nicholas Routley
No musical discourse on the Australian landscape is complete without its great poet, Peter Sculthorpe, and we heard two of his early, ground-breaking engagements with it
- Details
- Dr Daniela Kaleva
WOMADelaide – the World Music Festival – is back in town again. This is a chance to relax, go back to nature and immerse in the cultures of the world through music, dance and art.
- Details
- Peter Bleby
When Miriam Margoyles, doyenne of stage, film and TV told the capacity audience in the Festival Theatre that we were going to be “feasting on sound” she hit the proverbial nail on the head.
- Details
- Nicholas Routley
Embedded within the Adelaide Festival this year is a series of chamber music concerts called Chamber Landscapes, held in the Ukaria Cultural Centre in the Adelaide Hills.
Most read Adelaide reviews
RBG: Of Many, One | State Theatre Company South Australia
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
Now playing Adelaide
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
There is no doubt that the three programs presented by the Ensemble Pygmalion were the sensation of this year’s Adelaide Festival.