Adelaide Reviews
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- Valerie Lillington
The Adelaide Repertory Theatre can be relied on at all times and when it promises “an evening of high drama and musical interludes” it means high jinks are on the way - and so it proved to be.
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- Stephen Davenport
Burlesque by Force is persistently provocative, munificent and shrewd.
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- Valerie Lillington
Despite its grammatical inaccuracy, the title of this play by Steve Franco is beguiling and the Blackwood Players took it on with gusto.
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- Peter Bleby
It’s a brave director who mounts a work addressing full frontally taboo issues like teen sex, masturbation, physical and sexual abuse, homosexuality, abortion, injustice, oppression of minorities and suicide.
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- Stephen Davenport
This is shock-and-awe theatre. Switzerland is an exhilarating production, led by a strong performance by Gore that flourishes through its clean narrative and taut direction.
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- Peter Bleby
The Fieri Consort is a skilled ensemble of sensitive, well-matched singers who have been together for five years.
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- Peter Bleby
In these days when it is only too easy to re–present the famous and the familiar, it takes a director with courage and imagination to dig up something new and extraordinary.
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- Stephen Davenport
Acropolis Now, launched the famous character – (Efthimia) Francesca “Effie” Stefanidis, played by Mary Coustas. The good news is – Effie is alive and kicking, unsullied, inventive and full of vernacular impropriety.
Most read Adelaide reviews
RBG: Of Many, One | State Theatre Company South Australia
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
Now playing Adelaide
There have been many single handers in recent years – all done excellently, with talent, creativity and salient messages. But this one stands out from them all.
There is no doubt that the three programs presented by the Ensemble Pygmalion were the sensation of this year’s Adelaide Festival.