Sydney Reviews
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- Rebecca Whitton
It would be fair to say that Sydney audiences have become a little nervous about what to expect from Belvoir over recent times, but the company has unequivocally redeemed itself with this stunning, magical, pitch perfect production of Tennessee William’s autobiographical play, The Glass Menagerie.
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- Marika Bryant
That William Shakespeare sure knew a thing or three about the human condition: king and country, treachery, war, futility, love, tragedy – it’s all there in full view.
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- Jodi McAlister
An ambitious piece which follows the personal and political dimensions of the relationship between a white Australian man and a Chinese woman over twenty five years, it is occasionally problematic, but overall, a riveting, affecting, fascinating play. I could not look away.
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- Jack Teiwes
Quibbles over certain aspects aside, this is a very fine show predicated on a superb double-act, ably supported by a large cast and a lavish production design.
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- Penny Spirou
Overall, Danny and the Deep Blue Sea is a hard-hitting, intense piece of theatre. It would be difficult not to connect with the characters and their circumstances even though they may appear to be, on the surface, completely removed from our own.
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- Nicholas Routley
Founded in 2001 by the Southern Cross Soloists, the festival attracts musicians from Australia and overseas, and delights the large appetite for classical music among residents in this region, as well as visitors from all over Australia.
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- Augusta Supple
In the spirit of Snicket, Woodley is playful, energetic and clever – and it is a big stage, a big orchestra – he swings through the sections always keeping his eye on the prize – us.
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While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.
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The Gospel According to Paul is meticulously crafted entertainment. It’s uplifting without pulling any punches.
The Gospel According to Paul is meticulously crafted entertainment. It’s uplifting without pulling any punches.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.