
Theatre makers have much in common with children at play. Both delight in using minimal props in a small contained space to transport themselves into a completely different scenario that is often another world away.

Braverman is a charming and unassuming story teller and he imbues it all with such humour and such genuine love that his performance is captivating.

An hour with The Ross McHenry Future Ensemble was a chilled and laid back way to spend the early part of a Friday evening, even if the improvised elements of the performance didn’t quite mesh with the more groove orientated parts.

Camille O’Sullivan enters The Famous Spiegeltent resting her hand on the heads and shoulders of the audience as she passes, embracing them into her fold right from the beginning.

Fear not. Sit back, free your mind of the desire for story and immerse yourself in the sights and sounds before you. It’s going to be quite a ride.

Opera Australia has continued its tradition of welcoming the New Year with Gale Edwards’ exuberant production of La Boheme. And what an excellent choice.

The title role is huge, and Caitlin Hulcup’s performance of it was a true tour de force. She understood every nuance of the emotional fabric of the music.