Sydney Reviews
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- Penny Spirou
It’s not every day that you are introduced to a new stage musical. On top of that, it isn’t easy to pull one off in a small theatre space. However, Hayes Theatre Co. does just that.
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- Marika Bryant
By now the performers are lining up to play this choice gig, this fest-feast that infuses music throughout the streets, parks, halls, clubs, pubs and many vestibules in tidy town.
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- Rebecca Whitton
In his one man cabaret show, Killing Time, Mitchell Butel instantly engages the audience with his vivacious, twinkling charm and then dazzles them with his show-biz pizzazz.
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- Marika Bryant
With clarity of sound and snappy repartee, Diesel took us on a trip down music memory lane on Saturday night, first night of November, at the Bangalow Bowling Club.
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- Rebecca Whitton
There’s something irresistible and irrepressibly exciting about a contemporary circus performance and Totem, the new show by Cirque du Soleil, doesn’t disappoint.
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- Jodi McAlister
Not a lot actually happens in Emerald City, which I think contributes to the problem: there are a lot of words to very little action. It’s a fairly shallow treatment of the problem of the highbrow versus the lowbrow.
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- Rebecca Whitton
Conceived by one of Stephen Sondheim’s long time collaborators, James Lapine, Sondheim on Sondheim is a tribute to the career of Broadway’s finest lyricist/composer of the last 50 years.
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The Gospel According to Paul is meticulously crafted entertainment. It’s uplifting without pulling any punches.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.