The only two things we know about Thom for sure are that his dog was electrocuted when he was a young boy wearing a cowboy outfit and his girlfriend has just left him.
In front of a full house of expectant guests, the Australian Brandenburg Orchestra presented Bach and the Barber in what was to be a very special occasion with very special guests.
It's a much vaunted astrological concept and it's called Saturn's Return. The concept is Saturn, on completion of its orbit, insinuates itself into the very same place in the universe it occupied when you were born.
Solid Air is a collaborative effort by a group of talented local musicians, each playing three (or so) of the Nick Drake songs that tickled their sonic fancy.
Performing some of Nyman's most well known pieces, the Michael Nyman Band band captured a moment in time bringing scenes from the past to the Sydney Opera House and adoring music and film buffs alike
Dealing With Clair, which is gracing the stage for the first time ever in Australia at Sydney’s The Stables, is a rather crafty little piece of theatre.
Aida is one of those operas to see in one’s lifetime, and with this production, you’ll go home impressed with the cleverness - but you probably won’t shed a tear at the end.
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.
Blind faith and rational belief are always sparring partners in dramatic conflict and so it is here with the power play tinged with superstition and salaciousness.