The BBC sitcom series of many years ago, Richard Curtis & Ben Elton's Blackadder, is a natural for the stage, with its larger-than-life characters (caricatures, really; and then some) and Chaucerian ribaldry.
While Miriam and the Monkfish could easily be overlooked as a pastiche of celebrity chef culture it’s the satire in the writing, along with Kelly’s energetic performance, that carries the show beyond this.
Director, Dino Dimitriadis, for Epicentre Theatre Company, has done a particularly fine job, in taking Christopher Sergel's adaptation of Lee's perennial novel to the stage
Set in a beauty parlour in Louisana, six women, each with their own difficulties, share confidences and jokes, enjoying a level of intimacy not otherwise found in their lives.
In The Duel, we see the exploration of movement, of the non-verbal, of gestural, a collision of the contemporary stage craft and an antique Russian rumination.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.