All in all, I can't, and couldn't, rate this production highly enough: no amount of hyperbole or adjectival indulgence would serve to describe it's sheer perfection.
A couple in crisis. A child reciting twisted limericks. A manic nurse. A grand piano. Blood. All the signs are there: you’re taking a journey to the dark side of suburbia in the Sydney Theatre Company’s new production, The City.
This story canvasses the universal issues of oppression, classism and sexism from a Russian, rural, working class perspective pitched against a backdrop of Christian morality.
It’s a lovely set up, with carefully considered characters that are well observed, and as the play progresses there is a nice sense that this pair have much more in common than it first appears.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.