As a young country, Australia is often subjected to questions of identity. Who we are, at times, seems inextricably linked with who we were - a convict colony founded on criminality, the dumping ground for Mother England’s lost souls.
This romantic epic poem, based on a story from Ovid’s Metamorphoses about the Roman Goddess of Love, Venus and her mortal lover, Adonis, is a cautionary reminder that with great love comes terrible pain.
If you thought Joan Collins’ career was in the doldrums then you are sorely mistaken because she’s back in fine form in the Mardi Gras Festival’s Betcha Thought I Was Dead.
Baghdad Wedding has a certain hum and buzz surrounding it. Since its triumph at the Soho Theatre in London in 2007, theatre companies around the world have been eager to stage it.
Accompanied by the Australian Chamber Orchestra at the Sydney Opera House, Miss Upshaw thrilled us with her beauty of tone, immaculate musicality and appealing stage presence.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.
While Bonachela’s work is, as always, dreamily lovely, for me the highlights were absolutely the three commissioned choreographers: Azzam Mohamed, Jenni Large and Raghav Handa.