Caesar is a cop who wakes up with concussion. He’s been beaten up badly but remembers nothing about the altercation. In fact he remembers very little at all
Saxy foursome Compass, augmented by the very considerable talents of Marcello Maio, on piano accordion, and Julian Curwin, on electric guitar, have succeeded in capturing the spirit and soul of tango
Travesties is a play that swims around playfully in a thick pool of language. This is a pool, overflowing with comments on the nature of art, running gags, and even limericks.
Epicentre Theate Company (etc) is to be congratulated and lauded for having the temerity to take on such an ambitious project, to say nothing of pulling it off so, so competently
A gifted embroider of words, Friel combines soft lyricism and hard meaning in his play, a tragical comical historical pastoral on a spree and spoiling for a spirited spar.
In the care of Pinchgut Opera’s director, Erin Helyard, this music, formulaic as it indeed is in some respects, sprang off the page into an experience rich in emotions.
Iolanthe and Janet Anderson work in cosmic, comedic accord, characterisation charismatic, timing impeccable, delivery precise, together a tour de force that ascends the cliché.
Blind faith and rational belief are always sparring partners in dramatic conflict and so it is here with the power play tinged with superstition and salaciousness.